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During this harsh winter, as Christmas approaches, Angélique, a poor child, is found by an old couple, Hubertine and Hubert. But this couple is not the richest, and the life of this small family is hard and laborious. Angélique likes to escape to the city, to dream. One day, she meets Félicien, with whom she falls in love. But she is told that this handsome man is the bishop's son, so marrying him is impossible.

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A film director takes a film producer to convince her on the scene of the film that he would like to see her finance. During the two days they will spend together, in the middle of January, in this seaside resort beaten by the winds, he reads his scenario. Gradually the strange story of this upcoming film, which may never be shot, finds, in this producer specializing in films of which nobody wants, an intimate and singular echo.

A man and a woman who loved each other find themselves in a cemetery. He is here to attend the funeral of his grandmother, she let herself be lured by this place without really knowing why. The man's parents, who have come to pour out their reproaches, gravitate around the lovers who desire each other and inevitably get closer. But what did they really experience? And do they still have something to live for?

电影制片厂正在走向衰落。一位黔驴技穷的制片人带着他最后的几个同伙坚守着，他死死抓住一个所谓的剧本，可这个剧本甚至都还没写出来，因此更难有起色……

从三部 20 世纪初融合了滑稽与惊悚元素的影片出发，诺埃尔·埃尔佩（Noël Herpe）的首部剧情长片展现了他对虚构作品创作惯例的喜爱。极端的情境、逼真的布景、与观众的互动：一切元素都被他用于在某种戏剧形式的废墟上重新唤起电影的乐趣。